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| The view into my studio from our garden |
I've been working into the backgrounds to make them more interesting and deeper. It's a pet-hate of mine when the canvas shows through thin paint as I think it looks like I've been cheap with the paint, so I've been adding and adding until it can't be seen anymore. The result is a more interesting texture with several layers, colours and reliefs.
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| I really like this painting in this state, which makes it hard to continue! |
After sitting staring at the paintings and my sketches, trying to work out which stage should be next, I decided to do all the skin parts. This is because the skin is one of the areas which need subtle gradiations from one colour to the next and I use a big dry brush for this, which means that the colour often goes outside the skin area.
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| The canvas slipped down while upside down - hence the streak. |
By doing the skin first, I can then paint around the edges again with the outside colour. Although I'll have to use masking tape for those places where the skin meets the background, and that's time-consuming...
This stage-by-stage technique also means that I can't really go back and work into the background, unless I mask off the whole subject first.
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| Still looking a bit like an ipod advert |





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